Friday, April 29, 2005
Played by newcomer Alexander Nathan Etel, Damian is a 7-year-old British boy with freckled cheeks and big, blue puppy-dog eyes. That face — open and innocent, the spitting image of childhood whimsy — is enough to carry Danny Boyle’s enchanting new family film, “Millions,” opening today at Liberty Hall, 644 Massachusetts Street.
Damian and his big brother, Anthony (Lewis Owen McGibbon), have just lost their mother, so the boys move into a dreamy new house with their father, Ronnie (James Nesbitt). While Anthony pretends everything’s fine, Damian retreats into a fertile fantasy world. Saints come to visit him, from St. Peter to St. Clare of Assisi, ensuring the lad his mother is in the right place.
Then, in the midst of one of these saintly visits, a suitcase stuffed with cash drops out of the sky. Damian suggests reporting the money to the police, but Anthony has his doubts. Further complicating matters is a scary-looking stranger, played by Christopher Fulford, who starts hanging around asking questions about the money as if he knew where it came from. Also, the U.K. is about to switch its currency to the Euro, which will render the loot worthless unless the boys come up with a use for it fast.
Unapologetically religious, this kid-friendly fable represents a dramatic departure for Boyle, whose previous films include the Ewan MacGregor junkie drama, “Trainspotting,” and the zombie horror flick “28 Days Later.”
Boyle’s signature is all over this film, which he imbues with characteristic touches of surrealism. The construction of Damian’s new house flies by in a series of fast-motion effects and dizzying architectural details. And the scene when Damian finds the money begins with a memorable image of the suitcase bouncing along a train track like a basketball from heaven.
In fact, much of “Millions” seems heaven-sent. Frank Cottrell Boyce’s screenplay finds the right note of Spielbergian wonder before its fantastical conclusion, which not only packs an emotional wallop but also presents a positive social message for kids. The cinematography by Anthony Dod Mantle, who also shot “28 Days Later,” pops off the screen in gorgeous primary colors, while John Murphy’s lush original score lends the film the magical feeling of a bedtime story.
But the real find here is Etel as Damien, who may be the first instantly lovable screen kid since Drew Barrymore in “E.T. The Extraterrestrial.” Damien exists on such a pure level between fantasy and faith that he captures your heart. It’s a place movies should go to more often, and one that suits Boyle’s artistic virtues as a director.
— Edited by Kendall Dix
- **1/2 (out of four)
Director: Danny Boyle
Rating: PG
Run time: 98 minutes
Venue: Liberty Hall
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