Thursday, August 28, 2008
Conor Oberst, in a song called “Eagle On A Pole” from his new, self-titled album, sings, “I tried so hard to settle down.”
Settling down is clearly not something he’s good at. Oberst, under the moniker Bright Eyes, has long been known as Omaha’s golden child, a beacon of creative hope in a town otherwise known only for its zoo and the College World Series. But Oberst has been spending a lot less time in the city, recording his newest album in Tepoztlán, Mexico. He even chose to release it on Merge Records rather than his longtime label, Saddle Creek Records, which he helped form.
The change seems to have done him good, however, as Conor Oberst is his best release since 2005’s I’m Wide Awake, It’s Morning, and a serious improvement from 2007’s Cassadaga.
The story goes that Oberst and crew found a hotel made up of a few houses, rented it out, and went about recording, hanging out and meeting the locals. The album reflects this with its relatively mellow vibe and a strong focus on string instruments and big band numbers. It’s reminiscent of a jam session attended only by people who are incredibly talented. On several tracks the listener can even hear insects and people in the background. It’s perfect music to play while spending a night with friends, or to have on in the background during a study session.
The songs also show a marked improvement in songwriting, something that’s always been Oberst’s strong suit. Songs are much more structured than they have been in the past, and Oberst’s vocals are also stronger, especially in his lower register.
This album is a solid effort, and Oberst has pushed his own boundaries to offer fans something new and refreshing.
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