Thursday, January 28, 2010
Peter Jackson knows how to adapt movies. From his famous take on Tolkien’s Lord of the Rings trilogy to the resurrection of the infamous King Kong, the director knows how to translate books and old classics onto the modern silver screen.
The Lovely Bones, based on the 2002 best-selling novel by Alice Sebold, tells the delicate story of a girl whose life was taken prematurely through brutal measures. Soairse Ronan, who you may remember as the precocious younger sister in Joe Wright’s adaptation of Atonement, brings 14-year-old Susie Salmon to life.
Before the first image on the screen filters through your mind, Susie’s voice fills your ears. She narrates her life to you from “the in-between,” which isn’t earth and nor heaven. Think of it as a limbo-esque wilderness sprinkled with young teenage imagination and a hint of psychedelic 1970s fusion. Susie has been murdered, and instead of going towards her path onto heaven, she is stuck watching her family crumble and deal with her death.
Susie’s grandmother, played by Susan Sarandon, brings much-needed comic relief into the film at times. Grandma Lynn moves into the Salmon’s home after both parents fail to truly embrace the death of their oldest daughter.
Jack Salmon (Mark Wahlberg), Susie’s father, becomes obsessed in finding his daughter’s killer when the detective on the case, Len Fenerman (Michael Imperioli), does not live up to Jack’s expectations. Susie, realizing that her father cannot put the pieces together, guides him to their neighbor and her killer, George Harvey (Stanley Tucci).
Tucci gives an Oscar-worthy performance with his subtly creepy character and Rachel Weiss, who plays Susie’s mother, gives a perfect portrait of a grieving mother.
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